The History of Venetian Plaster

 

 

 

The History of Venetian Plaster

Venetian plaster is well known as a classic stucco plaster; however, its origins are much older, dating to ancient Roman times. We can see evidence of it today in the villas of Pompei and in various Roman structures. In addition, it was also written about in Vitruvio's "De Architectura", a 1st Century B.C. history of Rome. Marmorino was rediscovered centuries later after the discovery of Vitruvio's ancient treatise in the 15th century. This 'new' plaster conformed well to the aesthetic requirements dictated by the classical ideal that in the 15th century had recently become fashionable in the Venetian lagoon area.

The first record of work being done with venetian plaster is a building contract with the nuns of Santa Chiara of Murano in 1473. In this document, it is written that before the venetian plaster could be applied, the wall had to be prepared with a mortar made of lime and "coccio pesto" (ground terra cotta). This "coccio pesto" was then excavated from tailings of bricks or recycled from old roof tiles.
At this point, to better understand the popularity of venetian plaster in Venetian life two facts need to be considered. The first is that in a city that extends over water, the transport of sand for making plaster and the disposal of tailings was, and still is, a huge problem. So, the use of venetian plaster was successful not only because the substrate was prepared using terra cotta scraps, but also the finish, marmorino, was made with leftover stone and marble, which were in great abundance at that time. These ground discards were mixed with lime to create venetian plaster.

Besides, venetian plaster and substrates made of "coccio pesto" resisted the ambient dampness of the lagoon better than almost any other plaster. The first because it is extremely breathable by virtue of the kind of lime used (the only lime which sets on exposure to air after losing excess water) and the second, because it contains terra cotta which when added to lime makes the mixture hydraulic, that is, it's effective even in very damp conditions (because it contains silica and aluminium, bases of modern cement and hydraulic lime preparations). The second consideration is that an aesthetically pleasing result could be achieved in an era dominated by the return of a classical Greco-Roman style allowing less weight to be transmitted to the foundation when compared to the habit of covering facades with slabs of stone.

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